Showing posts with label Roger Moore. Show all posts
Showing posts with label Roger Moore. Show all posts

Wednesday 20 November 2019

The Saint - The Latin Touch

The Latin Touch
First broadcast 11th October 1962

Plot
On holiday in Rome, Simon is witness to the kidnap of a US diplomat's daughter. A mafia man, Tony Unciello, is responsible. His brother is about the be executed in the US and Governor Inverest has the power to stop it.

Guest stars
Alexander Knox plays the governor and is the only who is credited as a 'guest star' on screen. However, much more familiar to me was Warren Mitchell, playing a taxi driver, Marco. He appears in a few other Saint episodes and can frequently be found throughout 1960s' dramas as foreigners of various nationalities. I'm always pleased when he turns up and it often helps provide some comic relief.

The Famous Simon Templar
"That's the famous Simon Templar!" is delivered by a tourist from Missouri, Ada, who spots Simon while visiting the Colosseum. She tells her husband that she read it in the papers that Simon Templar was in Rome, which presumably means he has the kind of celebrity status that ensures his presence in gossip columns.


It's early days but we are already going to have to gloss over the utter absurdity that Simon Templar is simultaneously famous yet on other occasions manages to easily disguise himself or impersonate someone. Similarly, Roger Moore pointed out that his other famous character, 007, was a secret agent but could supposedly walk into any bar in the world and they would know who he was and how he liked his vodka martini. It's ITC-land - anything goes.

The Saint in...
The entire episode is set in Rome. The opening shots of the episode are taken from the real Rome with Roger Moore the only main member of the cast to feature in them. As he enters the Colosseum we move into the studio, where we stay for most of the episode.

While the change was obvious, I thought the Colosseum set was impressive enough considering its brief appearance. I wouldn't be surprised if it had been left over from another production.

Painted backdrops
I didn't spot any.

Period features
This section is for aspects that place us within the show's period, or would otherwise seem alien to someone from the present coming to the episode.

There are fewer details to pick up on this week so I've had to be picky. Tony first gets in touch with the governor to ask him to meet him at a remote location outside Rome. Simon's response on being told the name of the place is to ask for some maps - actual physical maps. Nowadays, many of us would just quickly type the name into Google Maps.

Tony adds soda or water to Simon's drink using a siphon. I love these and would like one of my own but as I take my whisky neat, I feel I'd get minimal use from one. There must be a cut-off point during the 1970s when they start to disappear.

Simon drives Governor Inverest in a Chevrolet Impala Sport Coupe - it's a great big American car so the US embassy probably brings them in to have as pool cars. Tony's car is much grander though. The Mercedes Benz 200 S looks posh and fancy, making it a good fit for the wealthy mafia man. Back down to earth and as it's Italy, Marco's taxi is a Fiat - a Fiat 600 Multipla.

Quotes
Tony gets my favourite quip when Simon is phoning the governor, telling him, "Remember - just one wrong word and you'll be a real saint."

The Ungodly
No reference to the ungodly, though Simon does quote Jesus, telling Tony that, "The meek shall inherit the earth." I presumed this was Jesus because I've seen Life of Brian.

The Sinners
Tony Unciello has an inside man in Inspector Buono as well as some plain henchmen. Tony is an Italian-American and is supposed to induce fear across Italy, although it was something I struggled to see in him. We don't see him have so much as a fight until the end of the episode. He's an acceptable villain but not a particularly memorable one.

She Was a Lady
Simon briefly spends time with Sue before she is kidnapped so has no time to make any proper moves, having only just met her. He stepped in as a true gent to stop Marco fleecing her for the taxi fare. By the end of the episode, he's confident enough to offer her, "the best dinner in Rome and dancing until dawn."

The Volvo
Not seen - he gets around in Marco's taxi.

Violence
Simon is knocked out in the Colosseum while talking to Sue and for the rest of the episode, it's more about the threat of violence. He goes to speak to a club singer who knew Tony and she reveals a nasty scar on her neck that he gave her. When Tony's henchmen pick Simon up, they force him into a car at gunpoint and there is also a gun on him when he's phoning the governor. Finally, the climax gives us some action as the police burst into Tony's place all guns blazing and the henchman bear the brunt of it. Simon quickly springs into action, delivering a couple of punches to Tony.

Cigarettes
Four, including one in the Colosseum. While it may be permissible, all I could think was that Simon would be littering an ancient monument with cigarette butts.

Alcohol
Simon is rather reserved. In the club, he and Marco have wine glasses and coffee cups on their table, but we don't see them take so much as a sip. It seems likely that they are the remains of the end of a meal. At a cafe, he has ordered a glass of white wine but due to the arrival of Tony's henchmen, he never gets chance to touch it. Finally, with Tony we see him having something with either soda or water from a siphon (probably whisky) and a glass of red wine with their spaghetti meal afterwards.

Wednesday 6 November 2019

The Saint - The Talented Husband

The prospect of watching all of The Saint is daunting - there are 118 episodes. In recent years I have discovered more ITC shows, but I have always had a fondness for The Saint and am looking forward to spending more time with him again.

Simon Templar travels the world, either being called upon or simply stumbling into trouble as he takes on bad guys. He is usually accompanied by beautiful young women, luxurious locations, a fast car and excellent suits. His charm gets him far and throwing a decent punch helps sometimes too. Beginning in 1962, The Saint became a huge success for its production company, ITC, and propelled its star, Roger Moore, to international fame.

The Talented Husband
First broadcast 4th October 1962

Plot
Following an accident, Madge Clarron is confined to bed at home, though her husband John is telling a mountain of lies to prevent people from seeing her. An old Irish housekeeper, Mrs Jafferty, arrives to help look after her. Simon travels to the village, where he meets Adrienne, their new neighbour. Having discovered that both of John's previous wives died suddenly, Simon is concerned for Madge. Adrienne turns out to be an insurance investigator and both she and Simon begin keeping an eye on the Clarron house together. Mrs Jafferty turns out to be John in disguise, who has planned an elaborate alibi so he can get away with murdering Madge for her money.

Guest stars
Derek Farr, Shirley Eaton and Patricia Roc. Shirley Eaton is the only one of these I know from elsewhere, primarily for her role as Bond girl Jill Masterson in Goldfinger, where she became famous for being painted head to toe in gold paint.

The Famous Simon Templar
"You're the famous Simon Templar!" is how many of The Saint's pre-title sequences end, but not this one. Instead, Madge introduces him to Clarron by simply saying, "This is Simon Templar."

The Saint in...
This week the Saint spends the pre-titles sequence in a theatre bar, while the rest of the episode takes place in Cookham, a typically picturesque English village.

Painted backdrops
Lacking the budget to travel to all of the Saint's favourite spots around the world, the series, like others from ITC, utilised painted backdrops in scenes to convey a sense of global scale. Some stock footage and a caption were the only other things needed to whisk us away. This staple of The Saint isn't so easy to spot in The Talent Husband and it actually has a fair amount of location footage compared to some episodes. The only time any sort of backdrop is used is for the trees seen through the windows of Adrienne's house.

Period features
This section is for aspects that place us within the show's period, or would otherwise seem alien to someone from the present coming to the episode. The Talented Husband includes a steam train, an everyday part of life that would become rare by the end of the decade.

The rat poison costs "three and six", meaning three shillings and sixpence, usually written as 3/6. It's a small sum and I can't find much advertised in this month's TV magazines for so little - it won't even buy you a packet of 20 cigarettes (3/10). Weetabix has an offer on for EPs at that price, with a choice of Western Songs or Cindarella/Jack and the Beanstalk. Westerns are all the rage on TV at this time, so I'd recommend the former.

Mrs Jafferty is also asked to sign "the poison book" - simply a record for who has bought poison. I have never had to buy poison but I don't think such things exist anymore.

On the train, John Clarron meets Madge's doctor, who is reading the Evening Standard. The date isn't readable but above the headline it says, 'As Kennedy's marines head into Siam/Premier explains where we stand' with the main headline reading 'MAC: READY TO SEND IN RAF'. This references US President John F. Kennedy, who first issued orders to deploy US Marines to Siam (Thailand) in March 1961, which certainly helps with the dates of the newspaper. At the time, the US was concerned with the growing influence of communism in the region. 'Mac' is British Prime Minister Harold Macmillan.

Quotes
Madge's looming murder is referenced in a couple of lines of dialogue. John tells Adrienne that Madge is "dying to meet you" and Madge lovingly tells John, "Sometimes I think if I weren't married to you, I'd die."

The opening episode gives us a wonderful summary of the Saint's outlook, perfectly setting up his character: "I don't like being a cog in the machine. Being one of the ants who devour the dragon is all very noble, but it's not half as much fun as being St. George, is it?"

The Ungodly
In these earlier episodes, Simon often refers to "the ungodly" as having set characteristics, lumping all criminals in together. It is a phrase from the Leslie Charteris novels and does seem to get phased out later on. It is used in The Talented Husband.

The Sinners
We see a lot of the Clarrons and following the pre-title sequence, it's a while before Simon even turns up. There are flaws in John Clarron's murder plan (he prepares a meal with rat poison to be heated up later, then heads to London for the day), mainly - why did he leave the empty tin of rat poison at home? He could have taken it with him and dumped it from the train, or else when he got to London. Also maintaining the Mrs Jafferty lie to cover his exact leaving times, he returns to Cookham with the disguise in his bag. Why? She is supposed to have committed the crime as part of a robbery, then fled, so he wasn't going to need it anymore. Like the poison, he could have dumped it before he returned. They are the two things that catch him out yet could have been disposed of easily.

Derek Farr was the most enjoyable performance for me. He switches from the caring husband to anger in an instant and these moments made his villainy much more believable. When Simon confronts finally him, the use of close-ups enables our Saint to look much more powerful, with Clarron quickly become a jibbering wreck. Simon is slightly menacing as he angrily glares down the camera and we wonder what he's going to do with Clarron.

She Was a Lady
The charming Simon Templar is definitely a ladies man and manages to find some company during most episodes. He and Adrienne hit it off in the pub when she invites him to have dinner with her. Later, Simon goes back to her house and the next day we see them about to have coffee and breakfast together, which prompts me to ponder whether he stayed the night. At first, it seems unlikely as plenty of people had already seen him arrive at the pub and living in such a small village community, Adrienne surely wouldn't want tongues wagging. Yet as she is only in the village while she investigates John Clarron, perhaps she wouldn't care what people had to say about her.

The Volvo
The Saint drives a white Volvo P1800. It's a gorgeous car and perfectly suits a playboy. I thought I'd clock just how often it turns up and how much action it gets. Here, Simon drives it into Cookham, almost knocking down Mrs Jafferty as he races through the village.

Violence
Little. John Clarron accidentally-on-purpose knocks a large concrete flower pot onto Madge from a balcony.

Cigarettes
I've always thought Simon Templar smoked considerably, if not constantly, but it's a good 20 minutes into this episode before he lights up. In total, he smokes three cigarettes.

Alcohol
1960s' drama is always a good representation of how much the nation's drinking habits have changed. Simon is partial to a drink or two and in The Talented Husband he is drinking when we first meet him, sipping at something in the theatre bar. At a guess from the colour and the glass type, it could be a gin and tonic. In Cookham, he stays at a pub where he knows the landlord and upon arrival opts for "a pint from the barrel - warm, flat, nourishing - and very British." I suppose one must tire of champagne. Later, he drinks "custom-built" Manhattan (whiskey, vermouth, bitters) alone, then agrees to another with Adrienne.